Any dream guest instrumentalists on your list? He had a helmet on and attacked his vibes like a lion jumping on his prey! I hear you all, on occasion, play naked? Al Al: You heard wrong Sometimes too comfortable. I had no idea that it would turn into a high energy Funk song that inspired people to take off their clothes at our shows and bare all.
No words can describe that event. Best feeling in the world is? JP: Seeing fans get completely lost in your music. The fact that we can create something that moves people in that way is very special. Al Al: My knifes and my utility belt. Mary: Head lamp. How did you all move past it? Lee: I think we always striving to get to the next level and that quest never ends.
When you write enough songs, then you have to book a show. Once you start playing shows, you want to get a booking agent to start touring. Best part about touring? What do you all have planned next? Mary: Traveling to new places. We have been to 49 states and only have Hawaii and the rest of the world left, so that is what we plan to do next!
Lee: The best part of touring for me is seeing all the amazing places in the country and meeting all the wonderful people that love and support us and live music.
It really is a small world and most people, especially in the music industry, are 1 degree of separation from you or your circle of friends. If your younger self saw you now, would they be surprised or impressed?
I did think that my high school rock band was gonna be real big. I never really felt that way about any other band I was in until Booty Band came along. I have a good feeling about this one. My younger self would be impressed and surprised. Mary: Oh my younger self would be super impressed! I put on so many shows by myself on my trampoline when I was a kid. I had huge imaginary audiences in my front yard back then that have come to life these days!!
A couple years ago, I found cassette tapes from my childhood where I was recording shows by myself. I was around the age of 5 and I would talk to the crowd and then play piano and sing my heart out.
I know that my younger self has grown up to be exactly what she always dreamed of being! Al Al: Alaska I Loved it up there! Sun going down at 11pm and coming up at 4am, the wildlife, very nice people JP: New Orleans is my favorite. I think several other band members would agree.
There is a lot of great culture down there. We always dig the amazing music, food and fun night life. The desert is always an interesting place. We like to go hiking around the canyons of the midwest. California has also been really good to us.
Lee: Doing what I love doing for a career. Its fun at the end of the day knowing we get to make music for a living. Lee: I think what we create is a product of our life experiences.
The more you see, do, hear, and experience, the more those experiences shape what you create. Al Al: I Look in the mirror What do you want to learn in ? Al Al: All the secrets of the universe JP: I have been playing guitar by ear for 24 years with only a handful of lessons. Every year I take on a new challenge in the kitchen. Two years ago, I grew, dried and prepared all my own seasonings.
We was doing a west coast tour and was in California when the Zombie Apocalypse went down. Mary: I want show the next generation that passion, practice and dedication is the recipe for success.
If you are true to yourself and everyone around you then nothing can stop you from living your dreams! It just makes sense to bring a music festival to a city rich in history and overflowing in art at a price unrivaled by any other. Also because it was a great success the last two years, so why stop now? Savannah Stopover combines the quaint city of Savannah, bursting with hospitality and charm with the excitement of a festival filled with music and media, to create a fun-filled 3 days where traveling artists new to the scene can share their music up close and personal with music-lovers from all over the South.
Check out the latest in shoegaze, synth-pop, ethno-funk and tons more of the sound of the underground. Top artists from all over the country combined with fans from all over the world in a city famed for its love of music makes for the perfect festival. A diverse range of musicians, artists, volunteers, yoga instructors, dancers, and festival-goers all dedicated to creating an unforgettable weekend of euphoria and fun.
Euphoria Fest is back for another year of incredible music, jaw-dropping art installations, soothing yoga sessions, and dance parties to rival the rest. This year, the festival creators really want you to get the full euphoric experience that festivals are known for so camping options are available too! This festival, by name, captures the entire feel of the festival culture: euphoria. People all over the country drive hundreds of miles to leave their normal lives behind for a weekend in order to throw themselves into a whirlwind of music, dancing, and incredible vibes that festivals are known for.
The hard-rockers, head-bangers, and a few metal heads. An eight-piece band sounds insanely fun and chaotic at the same time. How do you guys manage to stay stabilized and organized, or was that notion thrown out the window a while ago?
Thrown out the window a long time ago. Describe your songwriting process? Do you all have kind of a routine or does it change with each song? It changes with each song. After listening to Waiting for the Dawn, we get this overwhelming feeling for live raw energy. Is it safe to say a lot of your music is written FOR live performances?
When we were in the studio there was a lot of talk and energy surrounding the question of live execution. We made our songs sound as big as we could and try to re-create that every night with eight people. We have been playing since before the record, and playing shows is what we do, so in a lot of ways, yes, our record was made to be played live.
As a touring band, what else can you do? Most meaningful experiences on a recent tour was singing with the kids of PS22 in Staten Island, yes? A lot of you guys play the same instruments. Do you have it all mapped out for every song or do you ever switch instruments completely during performances? And you ALL are on vocals correct? Was there ever any issue with sanctioning a lead singer or have you guys always wanted a lot of voices harmonizing and singing in unison?
What are your personal favorite songs from the album and why? Depends on who you ask. Each song is special to one or more of us for different reasons. Kids are amazing. Seeing and meeting a room full of really great, talented kids who could grow up to change the world gave us this overwhelming feeling of hope.
Singing with them, hearing them sing our words, it was incredible. You guys big fans of Jungle Book? Sure, we like it. We were inspired by the young, wild and free vibe that Mowgli possesses. Also we named ourselves after this wolf dog we knew. Of course. We used to talk about train tours before we even heard they were doing one!
We daydream about all sorts of things like that. After spending so much time together, how do you keep everyone together? Meh, we fight and make up like siblings. When you love each other, sticking around is easy, leaving is the hard part. I feel like you guys sort of came from humble beginnings, and are very much in the music business for music, not money. How different was the adjustment to signing to Photo Finish Records, an offshoot of the massive Def Jam records?
We get to tour the country and there is a team helping us get our music out there. The biggest difference is that none of us have other jobs anymore. But we are a big band - getting us around is expensive, so all the money we make still goes into the band and getting the band to the next place. We are still putting everything into this project, but now we have a small team of people sweating with us.
I mean, it felt great. When we later Venice Beach and played hundreds of shows all went to 1 on the overall AltNation playlist, that over the area, sometimes even five shows in one was a huge validation of what we were doing. Was that a crazy experience for you guys? We loved the sayitjustsayit social media campaign. What is your favorite way to interact with fans? We like to meet them before and after shows. Twitter and Instagram are great ways to connect, too. The Mowglis are headed on the road!
Catch them later this year at Firefly Music Festival and Wakarusa! In the gro up released their first studio album, The White Apple , to even more praise, from critics and audiences alike. The album is a dark and ethereal experience and, to quote. Musically, they draw from a variety of sources, from hip-hop to folk, tribal to jazz.
Originally using pre-recorded. While learning past material, the new We Be Lions were also composing their own songs, and their first recording to be released. Joining her are Ross Martinez drummer and Adam Pickrell. Occasionally teaming up with other local instrumentalists such as Taylor Cleveland,. Rea successfully melds soulful and danceable. Garbed in glinty, space age appropriate costumes and fluorescent face paint, Rea cuts a fearsome and powerful figure on stage, whether accompanied or not.
The single marks a slight departure from their previous style - a little more clubworthy, a little more 80s, and a lot more bold. Nimble instrumentals give way to playful lyrics and joyful melodies - everything about this mad duo. With a solid dose of classic pop culture. Brimming with spunk and a grasp of 60s soul and pop that would make Aretha jealous, Amy Lynn and the Gunshow are a match made in heaven. After touring the US last summer, Amy Lynn and the Gunshow are hard at work putting all the energy and charisma of their live shows into a studio album.
Fresh off a stint with the Radio City Christmas Show, Amy Lynn and the Gunshow are fresh faced and ready to take by sparkly, soulful storm. Although I love theater and it will always have a special place in my heart, I wanted to do something that was on my own.
Do you have a favorite musical to watch? I think my favorite musical is Into the Woods. This will be my seventh year. The thing about being on tour - of course I love performing at all the fantastic venues - but I really love performing my own music. Even though a lot of time in the car can be painful, the guys have been friends since college, so it really is like a family road trip.
So, I have to go with touring! Tell me a little bit more about your musical family. Ed horn has been best friends with Alex since they were Our tenor Brian is actually the musical director for Bette Midler. How did you first meet your husband? Tell me about live shows - does your theater background come in handy? My husband Alex is the saxophonist; [he] takes care of all the arrangements for the band. So, when we get on stage live, I pretty much try to let everything happen naturally. I want everyone to be a part of it.
You know - make them cry and make the laugh at the same time. We met in Switzerland while I was doing the Grease European musical. Something happened to the saxophonist and Alex came in and filled her spot. We became friends and it turned into a little bit more than friends.
When we came back, we found out we both lived in Brooklyn. We started collaborating with one another musically. Our styles complimented one another. We both love classical music and it was really just the right formula. After a bit we decided we should do something together, so we could work with one another instead of separately.
What inspires you most? Oh, God! So many things inspire me. Musical inspiration would be Janis Joplin, Aretha Franklin, you know. I just love people that are passionate about things and people who are just doing what they want to do. I love that about people. Your first concert? What advice do you have for bands and artists starting out? Every day we can all learn something different about our sound and our music.
Do you have any goals for the upcoming year? Play out as much as possible: music festivals, and Europe. Current obsessions? Almond butter. Personal mantra or motto? Enjoy every moment in your life and stay in the present. Take it all in and enjoy every step of the process and the journey. Word on the street is that you all have a new album coming out as well. You can download it for free. What was your intention behind production of this album? In a perfect world, your day would go like this Wake up in the morning, go to the diner with my husband and have an amazing breakfast, go to the studio and record a song, then probably go get sushi for dinner.
Maybe throw in a yoga class in between. My favorite part is working with my husband. So the fact that I get to do what I love with him is my favorite part. For a charming personal touch, each collector has a breakdown of their favorite records, when they got them, and what it means to them. Either way, Paz has an amazing way of capturing his features in their natural habitat.
With constant updates and a hip interface, Dust and Grooves is my new friendly reminder when of the history and poetry embedded in the music industry. Support vinyl! Both songs take a minimalistic approach, gradually building on the sound of a single instrument. Instead of the chord progression, Escott achieves his dramatic effect through. One must wonder what time portal Gary Clark Jr. Accompanied by an electric guitar, he nails the mids style from which the song originates.
The man known for his mercurial subject matters and long shots laced in dramatic realism, has once again given audiences a mirror to reflect; this soundtrack is the elegant framework in which that mirror sets. Dev Hynes is one of the coolest people in music.
Born and raised Ilford, Essex, Hynes has been singing, composing, songwriting, producing and writing for years. A true renaissance man of the music world, he has been involved in many different genres of music as a writer and performer, writing songs for Florence Welch on her 1 album release Lungs and for The Chemical Brothers for their Grammy award-winning album We Are The Night. Once we get halfway through the album, Hynes surprises with two or three tracks featuring some ear-worthy rap, proving his versatility as an artist.
With some great guest vocals, Cupid Deluxe has a distinct positivity that will have you moving. Spaces could not be a better name for this album. If you are a fan of beautiful, atmospheric music, Nils Frahm is your man.
Born in Hamburg, Germany and based in Berlin, Frahm takes you to the moon and back in this eleven track album spanning the course of close to two hours. The album flows flawlessly, however, and captures him creating massive soundscapes reminiscent of a Sigur Ros album to booming classical pieces that truly showcase his talent.
A true ivory man since childhood, Frahm was taught to play piano by Nahum Brodski, a student of the last scholar of Tchaikovsky one of the pioneers of piano in the 19th century. With that background in his back pocket, Frahm has an incredible sense of blending classical piano playing with contemporary composing. On his other albums, the sense of him in a studio by himself is what is enchanting about his melodies, with small mistakes and echoes that make them extremely intimate.
On Spaces, however, the live audience element makes these intimacies come to life. Absolutely gorgeous, a must buy. Part Nick Cave, part The Beatles, and yet so much more, multi-instrumentalist Spencer Krug began making music as Moonface as a side project designated for musical bits and bobs that did not align themselves with his array of collaborations. Electronic pop is the name of his game, and The Arsonist takes home all the prizes. Greeted with wide acclaim and critical success, The Arsonist is one of, if not the, best electronic albums of the year, and quite possibly the decade.
Multi-instrumentalist duo Alaska B and Ruby Kato Attwood celebrate Asian heritage and art in a thunderously original and inspiring manner. Their edgy rock melodies mixes with shimmering Japanese vocals and artful flourishes that make each song a nightmare and dream inducing journey. Each of the ten tracks moves at a fast pace and unmistakably places the band firmly in the pop punk category.
This album will draw fans of Yellowcard and Taking Back Sunday-a solid effort and musically sound rendition of a modern take on the post-punk genre. Each of the songs on the EP have the same basic ingredients — simple, expressive drum beats, droning vocal track, and sludgy bass.
According to the man himself, the album is made up of songs from a catalogue of literally hundreds of songs, so it will be interesting to see what Vex comes out with next. But this album is truly one of the most weirdly satisfying products of its genre, and is absolutely worth a listen. I first heard the Cardiff-based group back in , my freshman year of college. What I remember is a happy twee-pop band, but I was greeted with a mature, indie-rock outfit.
All in all, Hideout from the Feeders is a solid, delightfully dark album that will have you reminiscing about carefree days, with a punk rock twist, of course. All in all, a great album, and a debut album nonetheless!
If Shangri-La was indie-rock style blues played by a young British man, then for all accounts and purposes, I am there. Nottingham-based musician Jake Bugg released Shangri-La last November, and masterfully avoided the dreaded sophomore slump.
Shangri-La is a roller coaster of high octane folk rock songs. Shangri-La is worth its weight in the ambrosia they drink in earthly paradise. Their omniscient aura is relaxing; instead of screaming and crying about their problems, they are simply explaining them with a calm energy.
She is ridiculously and unapologetically talented, and that talent has taken her all over the world, touring in Europe, West Africa, Cuba and Canada, Bethsheba A. A native to D. Child takes the precedent set by Jack White et al to the next level with their high energy tempos and lyrics that express a youthfully exuberant attitude. The Dallas S discover learn play DLP is an online, sequential, and comprehensive music learning program for students of all ages who want to Discover, Learn, and Play Music.
The past year has been full of surprises for the young musician; he released his debut album Light in the Dark, produced his first large scale music video and even performed at The White House. Nimbly side stepping nay-sayers, Nakoa brings a certain joyful fire to performing and songwriting.
What was your creative process for? Managing the daily chaos. Ideally I like to turn off my phone for two hours a day, like from 10am to noon and just sit and wait for the ideas to come. You have an idea but you have to make it real. Sometimes the music comes first, but. It kind of builds around that. I like writing with people and I try to do it often. How do you feel about it?
What was your first experience with music? What drew you towards a career in music? The holidays, when I was a kid. I thought he was a pain. But, it turns out that he was right and he really taught me how to write a good song. I have to write on my own now? You grew up in upstate New York, went to school in Boston, and now reside in Brooklyn. Which do you prefer—city or country?
Which do you find more inspiring? You attended the Berklee College of Music in Boston. How did you make the decision to pursue music in college? The city gets stuffy in the summer then I want it to be there. It was the only place I and sometimes I get kind of claustrophobic and just applied. So, yeah. I think it might gone to college. The city is noisy and never stops, but. Most influential person in your career? One of my friends at Berklee well, actually. Then again I think that change is what inspires me most.
Some of that comes with the changing of the seasons and some of it with just a change of scenery. Where do you hope to see yourself in three years? More records, more shows, definitely. Most rewarding part of your job? You see a new light. I think that world would be a pretty radically different place if everyone did that. These guys from Britain needed to extend their work visa or something, so we made a band and named it something to showcase Britain and just started playing gigs and making music and having fun.
I also compose classical music for people to play, which is sort of a different kind of collaboration. Talk to me about your music videos. They seem to flirt with old school film techniques.
What do you want to convey with your videos? It just took a lot of tinkering and rearranging verses It did not come easily. I met this really talented videographer and we picked the song for the video more so because the idea that we had for it was viable and it was the best video idea that we had that we could actually do. The actual filming - we had an insane weekend shooting where nobody slept for three days, then over the next couple of months we grabbed a couple of other shots.
It was great, it was truly a collaborative thing - we had all our friends and all these people who volunteered to be extras and they were just totally into it and just present. They let us use their office buildings and apartments to shoot in over the weekend and it was just an amazing thing. I think I started writing it because I was complaining about a ticket on my car or something, and it kind of continued from there. Then, when I stopped complaining I started seeing that a lot of other people were frustrated with their jobs and just kind of busting their asses until the weekend and then really wondering where it got them.
Best audience as of late? I went down to Miami a few months ago because someone needed a guitarist. It was just a week of rehearsing and playing shows, but by the end of it I was opening with my own music. And the people that were there were silent. You could hear a pin drop. And everyone was so into it and so present.
Nobody was on their phone and everyone was there together. Pre-show rituals? He would just get in touch with that total youthful joy around the sport. Then for the next 15 minute he would picture the game he was about to play and he would picture every move flawlessly and he would visualize it. Then I go out. But, I definitely do some yoga or something to. Sometimes things can get a little heavy.
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